What do you want to achieve with the ATOBE project? Pat Metheny and Lyle Mays did it in 1981 with the September 15th piece. I’m not the first to pay tribute to Evans. The beautiful and challenging thing about this album is that it contains a great deal of individuality – the individuality of Bill Evans and of myself. I strive for musical freedom so that it becomes magical. ![]() It is a beautiful, intense and unique album. What can people expect from The ATOBE Album? You learn to consciously use open strings and completely different types of voicings. Yes, of course! The technique I use creates a bigger and a different sound. Surely this should also appeal to other guitarists? Bill used a different harmonic system and I follow it within the margins of my own taste. I put a piece on the music stand and let the composition come to me, I hear it in my head. In any case, I don’t want to copy Bill Evans note for note because I absolutely want to do my own thing with it. The transcription of Time Remembered shows that I should use the 27th fret of my guitar but it doesn’t exist! So that requires a different technique. ![]() I have stored his sound, it is in my system, in my auditory memory. I’ve been listening to Bill Evans very intensively for about 25 years now. So, how will that work?Ĭonverting from piano to guitar is of course a tough challenge. ![]() You’re a guitarist and Bill was a pianist. Like Bill Evans, I want to be very intense in the music, because only then you can create a context in which you can really make music together, so that it flows. Bill Evans had an introverted personality and you can hear it in his playing. To experience that freedom requires supreme concentration and to maintain that focus you have to turn off all inner blockages and external noise. I call it musical and collective freedom. There is a deviation from the established paths. In other words: All musical input is welcome. I think I now understand and feel his concept. It was mainly the musicality that ensured a connection. And from this biography I can’t really tell that Bill had many friendships. Right now I’m reading a musical biography written by Keith Shadwick titled Bill Evans, Everything Happens To Me. Really amazing!ĭo you think the members of the Bill Evans Trio were like-minded people in real life too? Of course I understood that jazz was an improvisation style, but I had never heard this before! This could only mean that they were extremely well attuned to each other and listened intensely to each other and mastered all the registers of their instrument. ![]() When I first listened to Bill’s trio, sometime in 1990, I thought, Wow, what’s this? It seems as if they are soloing through each other. When and how did you experience that trinity? So it became one sound: it was as if one instrument was being played. But in Bill’s trio, everyone was given musical space. Normally you have a pianist who is accompanied by the drummer and the bass player. He first started giving the rhythm section the same role as himself. The most famous jazz trio of that century.īill Evans was a musical forerunner. That’s especially true of his first trio launched around 1958. Bill Evans was one of the most important jazz pianists of the last century. Bach’s Art of Fugue and Well-Tempered Clavier are beautiful! But the Matthew Passion is divine! And I also experience that divinity with Bill Evans. Like jazz pianist Bill Evans, I have a great love for classical masters such as Chopin, Debussy and Bach. Yes, of course! That is the ATOBE project and that stands for A Touch Of Bill Evans. You have just finished working on a project. A Touch of Bill Evans | ATOBE on vinyl | Release September 15th 2023
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |